I'm French and apologize in advance for my poor English.

Having owned the first-generation NADAC for five years (PLAYER 8 CH, POWER & CLOCK LN), I've just switched to the new models (NADAC D & C).

The previous one was already really good, but the new one pushes the limits of what's possible !
Every aspect of music reproduction, down to the smallest detail, and in an extremely natural way, is perfectly reproduced.
I thought I knew perfectly well certain recordings that I've been listening to for years, but these new NADACs make me rediscover these pieces of music !
Master Fidelity's development work is outstanding.

Many thanks to Bert for distributing this product in France, giving us access to it.
As well as for the speed with which he answers questions about these products and the commercial aspects.
I highly recommend it!

Discover these new NADACs, it's a unique experience !

I’ve been enjoying this superb performance of Prokofiev’s 5th in DSD256 for about 3 years. It’s become one of my favorite pieces of classical music. A roller coaster of different moods and varying dynamic contrasts. But I recently got a NADAC DAC and Click, and downloaded the DXD version, which is the “edit file.” Wow, now I am experiencing the microphone feed. A revelatory experience . Bravo maestro Gaffigan, and Bert’s deft recording technique.

I purchased the 6 CD set Beethoven Symphonies back in 2008. At the time HIP was popular and Immerseel’s performances were exciting and very well recorded compared to contemporaries like Mackerras. It’s been a decade since I last listened to these performances. But thanks for re-engineering these in glorious DXD! Vibrant sound, incredible detail, a real insight into classical music masterpieces

I’ve been listening for several years to multiple hi-res versions of Schumann’s Symphonies, Foster, Ticciata, and most recently Schonwwandt. But I’ve found de Vriend’s interpretation to be more enthusiastic and engaging. And of course Bert’s impeccable recording in glorious DXD is the best for capturing all of the nuances of a full orchestra in your home!

I am amazed by the warmth and clarity of the sound in this recording. As I am playing in it, I will not comment on the performances and only write about the recording. My first Binaural experience: fantastic positioning of the players in the quartet. As if I am sitting in the Lutheran Church in Haarlem again!

Beethoven's Opus 18 string quartets are, even though 'early' works, masterly exercises in the genre. Listening to this recording is like hearing these gorgeous pieces of music for the very first time: the period instruments and style of playing (extensive use of portamento) make one sit up and marvel anew at Beethoven's genius. The instruments are captured with stunning clarity, warmth, and precision when played back as DSD 256. A highlight of 2024.

Brilliant performances of fabulous chamber music: Romantic, late Romantic, and Contemporary/Modern. Sumptuously recorded and brilliant sound in DSD256.

From Karajan's 1982 version of Prokofiev's Classical Symphony which was a complete surprise in my younger days, Gaffigan's reading kept me on my toes until the last movement. Explosive dynamics combined with contemplative detail is the underlying thread of Gaffigan's entire performance, and Bert's otherworldly recording, responsible for the goosebump at every crescendo, will make this album an absolute must for all classical music connoisseurs. I downloaded the original DXD version to test our new real-time DXD to DSD converter. This type of digital conversion is probably the new standard for serious High End systems as it allows a much more natural analog conversion with D/A converters that support Direct DSD (usually equipped with a ROHM or AKM chip) or with a NADAC that by default performs the same DXD to DSD conversion. Again, a masterpiece from Bert's studio...

It was the first recording of Bert van der Wolf that I came across. Desperate for the creme de la creme recordings to help me evaluate our music server operating system, I was completely blown away on first listen. In fact, we didn't even know how well our system worked until we listened to Bert's spectacular recording of Gershwin's American in Paris. From cannon-like dynamics to the fragile details everything was just fantastic. Thanks Bert....

Review: Ella van Poucke - Schumann, Complete Works for Cello (AURO-3D Immersive)
Introduction
Robert Schumann's music holds a special place in the realm of classical compositions, particularly his works for the cello. Dutch cellist Ella van Poucke, praised for her musical integrity and intensity, brings these works to life in collaboration with Phíon, Orchestra of Gelderland & Overijssel, under the baton of Günter Neuhold, and renowned pianist Jean-Claude Vanden Eynden. This AURO-3D immersive album promises a profound exploration of Schumann's cello repertoire, filled with emotional depth and technical brilliance.

Album Overview
The album encompasses Schumann's complete works for cello, composed during a particularly fertile period in his life:

Adagio & Allegro in A-Flat Major, Op. 70 (1849)
Fantasiestücke, Op. 73 (1849)
5 Stücke im Volkston, Op. 102 (1849)
Cello Concerto in A Minor, Op. 129 (1850)
Each piece showcases Schumann's genius, blending intimate expressions with rich, fantasy-like elements. These works reflect Schumann's evolving style and the personal struggles that shaped his music, as he grappled with mental illness and the challenges of his role as a composer.

Performance Quality
Ella van Poucke's performance is nothing short of extraordinary. Her interpretation captures the essence of Schumann's compositions, balancing technical precision with emotional sensitivity. In the Fantasiestücke, Op. 73, van Poucke's ability to convey delicate nuances and fiery intensity is particularly striking, as she navigates the work's contrasting moods with grace and passion. The Phíon orchestra, under Günter Neuhold's direction, provides a robust yet nuanced accompaniment that perfectly complements van Poucke's cello. Jean-Claude Vanden Eynden's piano performance adds an additional layer of depth and harmony to the duo pieces, especially evident in the Adagio & Allegro, where the interplay between cello and piano is truly captivating.

Sound Quality
The AURO-3D immersive format elevates this album to an unparalleled auditory experience. The 96kHz AURO-3D quality and 5.1+4 channel immersive setup envelop the listener in a three-dimensional soundscape, bringing the intricate details of Schumann's music to life in a way that traditional stereo recordings cannot match. The exceptional clarity and warmth of the recording, achieved through the expertise of producer and engineer Bert van der Wolf, provide a rich and vibrant listening experience that fully captures the nuances of each performance.

Comparison
Compared to other notable recordings, such as those by Steven Isserlis and Jacqueline du Pré, Ella van Poucke's rendition stands out for its fresh and personal approach. In the Cello Concerto in A Minor, for example, van Poucke's phrasing and dynamics offer a unique perspective that highlights her deep understanding of Schumann's emotional landscape. Her interpretation brings a new dimension to these works, combining youthful vigour with profound emotional insight. The AURO-3D format further distinguishes this album, offering an immersive listening experience that adds depth and realism to the music.

Personal Impressions
Listening to this album in AURO-3D was a deeply moving experience. Ella van Poucke's interpretation of Schumann's music is both captivating and inspiring, transporting the listener to a realm where the cello sings on a mountaintop, holding the audience in breathless awe. This imagery is vividly brought to life in the Adagio & Allegro, where van Poucke's expressive playing truly shines, showcasing her ability to convey the work's romantic yearning and exuberant joy. The immersive audio format enhances the emotional depth and complex nuances of each piece, creating a sense of intimacy and connection between the performers and the listener.

Conclusion
Ella van Poucke's recording of Schumann's complete works for cello in AURO-3D immersive format is a triumph, offering a perfect blend of technical brilliance and heartfelt expression. This album is a must-listen for classical music enthusiasts, cello aficionados, and anyone seeking a truly captivating auditory experience. It not only honours Schumann's legacy but also firmly establishes van Poucke as one of the leading cellists of her generation, whose artistry and musical vision are sure to leave a lasting impact on the classical music world.

The sound is just so beautiful. Thank you for making sublime recorded art.